Entry tags:
nostalgia and other tricks of memory.
[ As of late, Makoto's been having trouble sleeping. While insomnia is an ordinary facet of his schedule as of late, given copious amounts of coursework and essay after essay bound to induce catatonia in any student worth their salt, there's more to his perpetual tiredness than he ever lends credence toward. The nights elongate for him like they leech off unorthodoxy, his perception of time passing skewed for hours upon hours of navel-gazing.
Sometimes, he even catches glimpses of what he's after. It's always diaphanous, always partially unreal, but it's only in that strange limbo between wakefulness and slumber that Makoto remembers someone he isn't entirely ready to think about, the recurring ghost at the edge of his consciousness, snapped around awareness, the failure of memory and how it never retains sentiment as it should.
It's Monday morning, again.
Seven A.M. and Makoto is sloughing off the dredges of early-bird traffic to find a parking spot. Give or take another fifteen minutes, and he's on campus, winding through the thoroughfare of absently milling students to make his first class. His breath keeps echoing somewhere in his lungs, shattered and partially discrepant, like he's running a high, high fever. Invariably, he's spent the entire morning tossing and turning, restlessness pricking holes in his exhaustion. Tiredness elapses around his yawns, rounding them out as he enters the class with a couple of the last-minute stragglers.
Even arithmetic won't let up on banalities. The instructor keeps speaking in a steady stream of nonsense like his words dwell on an exponential curve, and for the first half Makoto's preoccupied with meticulously spot-checking his textbook as if it'll lend anything in the way of understanding. The answers continue to evade his concentration, and after a while he forgoes listening to the teacher drone in lieu of making sense of the hieroglyphics passing for equations on the current assignment.
Digging a heavy fist into one eye socket, Makoto shakes his head in vain, peering down at the page. Underscored with frustration, it's largely a byproduct of flayed nerves and discomposure on the rise that he knocks his pencil off, sends it skittering with an ill-time knock of his wrist. It's a simple enough maneuver to blink awake and drowsily grasp for it along the floor, but he keeps coming up empty, inexplicably, and gazing down is just enough to freeze him in place.
It's gone.
Makoto has half a mind to rise up out of his seat, thrashing around to find the writing utensil when something sharp pokes into his side and he directs his gaze sidelong, expecting the worst.
Instead, he's confronted with an outstretched hand, the pencil slid out between the index and middle finger, cursorily offered to him. His gaze falters, then rises — up to a stranger that, for all intents and purposes, feels too familiar to dismiss.
(A memory of blue, blue eyes, bright and intent, nearly luminous —)
Alarmed, Makoto nearly collapses out of his seat with a clatter, only saving himself from topping over by hooking one foot around a table leg and pulling himself up through sheer force of will. ]
O-Oh. Thanks.
[ Confusion irradiates his voice, blotchy with disrepair as he abruptly resettles, tentatively taking the pencil in hand but not retracting his hand. The seconds tick by on a lopsided axis, but Makoto manages to work up enough internal fortitude to ask the big-ticket question beating against his skull. ]
... Have we met before?
[ Talk about clichés. He can't help but ask, either way. ]
Sometimes, he even catches glimpses of what he's after. It's always diaphanous, always partially unreal, but it's only in that strange limbo between wakefulness and slumber that Makoto remembers someone he isn't entirely ready to think about, the recurring ghost at the edge of his consciousness, snapped around awareness, the failure of memory and how it never retains sentiment as it should.
It's Monday morning, again.
Seven A.M. and Makoto is sloughing off the dredges of early-bird traffic to find a parking spot. Give or take another fifteen minutes, and he's on campus, winding through the thoroughfare of absently milling students to make his first class. His breath keeps echoing somewhere in his lungs, shattered and partially discrepant, like he's running a high, high fever. Invariably, he's spent the entire morning tossing and turning, restlessness pricking holes in his exhaustion. Tiredness elapses around his yawns, rounding them out as he enters the class with a couple of the last-minute stragglers.
Even arithmetic won't let up on banalities. The instructor keeps speaking in a steady stream of nonsense like his words dwell on an exponential curve, and for the first half Makoto's preoccupied with meticulously spot-checking his textbook as if it'll lend anything in the way of understanding. The answers continue to evade his concentration, and after a while he forgoes listening to the teacher drone in lieu of making sense of the hieroglyphics passing for equations on the current assignment.
Digging a heavy fist into one eye socket, Makoto shakes his head in vain, peering down at the page. Underscored with frustration, it's largely a byproduct of flayed nerves and discomposure on the rise that he knocks his pencil off, sends it skittering with an ill-time knock of his wrist. It's a simple enough maneuver to blink awake and drowsily grasp for it along the floor, but he keeps coming up empty, inexplicably, and gazing down is just enough to freeze him in place.
It's gone.
Makoto has half a mind to rise up out of his seat, thrashing around to find the writing utensil when something sharp pokes into his side and he directs his gaze sidelong, expecting the worst.
Instead, he's confronted with an outstretched hand, the pencil slid out between the index and middle finger, cursorily offered to him. His gaze falters, then rises — up to a stranger that, for all intents and purposes, feels too familiar to dismiss.
(A memory of blue, blue eyes, bright and intent, nearly luminous —)
Alarmed, Makoto nearly collapses out of his seat with a clatter, only saving himself from topping over by hooking one foot around a table leg and pulling himself up through sheer force of will. ]
O-Oh. Thanks.
[ Confusion irradiates his voice, blotchy with disrepair as he abruptly resettles, tentatively taking the pencil in hand but not retracting his hand. The seconds tick by on a lopsided axis, but Makoto manages to work up enough internal fortitude to ask the big-ticket question beating against his skull. ]
... Have we met before?
[ Talk about clichés. He can't help but ask, either way. ]
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Haru sees the pencil first. It skitters on the floor. A quick glance at it puts one of the other students in his field of view. Brown hair, neutral-colored shirt. Haru offers the pencil at a level that results in a near-injury, distracted momentarily by the gleam of light off the other young man's hair.
Have we met before? ]
No.
[ That's his automatic reply. Haru retracts his hand, only letting his gaze linger only for a moment before looking back at his paper. They can't have met before... he thinks, anyway. Even if he seems familiar, it must be a coincidence of some kind.
But he looks at him again, despite that, accidentally catching his gaze more than once, until the class is over and he's starting to clean up his things. ]
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It's bad enough that he catches his gaze a few minutes after, their eyes skittering past each other like jostled marbles thrown out of sync. The class apparently dwells on some sempiternal lifespan, judging from the way it slogs on and on, and the minute it ends, he's ready to dash out and forget the matter entirely.
However, he can't exactly account for the pathetic excuse he'd scrounged up as an apology, which explains why he's a masochist plunging straight in for the second round, sliding his seat in to confront him firsthand. ]
I'm sorry about earlier ... ! Er, I shouldn't have assumed anything. That was my mistake. Anyways, I won't bother you anymore, but ...
[ And whatever reservations he had go out flying out the door in lieu of some crumpled attempt at social faux pas. ]
... would you let me take you out for lunch?
[ Talk about a non-sequitur. He's just about shot himself in the foot. ]
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The question isn't—or at least, not at first.
Lunch. It's harmless, isn't it? ]
I can pay for my own lunch. [ But he stands, after putting his things away into his bag, and tilts his head at the door. Lead on, stranger. ]
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At the subtle acknowledgement, Makoto does a half-assed job of properly easing the door open, walking down the hallway with a stutter-stop to his pace. ]
So, ah ... what were you planning to get?
[ It's times likes these that he curses his fatal inability to incite an actually interesting conversational topic like Nagisa on the pop-fly. ]
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You invited me. Haven't you thought of a place?
[ ...this, too, is familiar. Haru doesn't say it to be rude, but because it's true, and because he knows the brown-haired boy will fluster a little—and that's cute. ]
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I-I mean, I have, but I don't want to insist.
[ His gaze skitters along the ceiling like he's sending a prayer heavenward, but when he drops his gaze back to floor-level, he's notably placid. The only saving grace is that it isn't quite as awkward as it should be.
Something familiar. ]
The place doesn't matter to you, then?
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...no.
[ It's just lunch, isn't it? Haru gives him a long look, waiting for him to take the lead. ]
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Turning to Haru, he meekly gestures at the overhead menu. ]
What do you want to order? I'm treating you, so I'll pay.
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Bagel.
[ Because doughnuts aren't proper lunch fare (even if Haru's only idea of proper lunch fare is mackerel). ]
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That's all? You should at least order a drink.
[ A single bagel isn't a full and balanced lunch, but it's not like he was expecting anything better from his classmate. Weird. Makoto relegates that mental tidbit on the backburner for now. ]
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[ Haru looks sideways out the window, ignoring the hubbub in the crowded cafe and mostly Makoto, by extension. It's hard to ignore his presence, though—and yet Haru doesn't mind that so much. ]
Why did you want to see me? [ Outside of class, that is. ]
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Well, I — ... we're classmates, you know! And you always sit right next to me, so ... I was a little curious about the kind of person you were.
[ Terrible. He can't curl up like a bug in a rug, but his dissatisfaction bears a striking similarity to an insect at the moment before death. ]
Why did you agree, Haru?
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It was lunchtime.
[ Hmm. Haru moves slightly forward in line before looking back up at Makoto. ]
What kind of person?
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Well, yeah, I knew that much.
[ He makes an elaborate show of scratching one cheek. ]
Cool and distant, I guess. ... Not that I think the same now! Um ... I guess I was just surprised. You're pretty blunt, huh?
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[ Asking him out to lunch and all. Haru gets to the front of the line and orders his bagel. ]
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[ DON'T BE SO BLUNT, HARU????? But okay, let him stew in acute distress at this bombshell of an epiphany. It's not like it's a genuine date or anything, what with Haru being perfectly content with a bagel and water for lunch. Quelling the worst of his disquiet, Makoto chimes his order right afterwards, and quickly doles out a payment for their overpriced food before his stoic friend has the chance to retaliate.
Bundling the food in both arms, he gestures to the ... absolutely packed state of the café, increasingly flustered by the need to impress Haru without putting his own sanity on the line. ]
Where should we sit?
[ Outside seating might hold better prospects for them, honestly. ]
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[ There really aren't any tables open, except for those four-seaters occupied by one person, their laptop, and a spread of papers. Haru would rather be outdoors, even if the sun is a little too bright. He starts leading the way to the door. At least he holds the door open for Makoto. ]
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[ And Makoto concedes to that request easily enough, already following him into the great outdoors — or at least the relative vicinity of the café, scanning the area for viable tables? ]
Would this table be alright?
[ It's a two-seater ... how intimate ... but no, it's really the one that hasn't been taken up by student(s), apparently. Makoto glances sidelong at Haru to gauge his reaction. ]
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Once they're settled he goes about spreading cream cheese on his bagel. Conversation seems secondary to the needs of lunch, at the moment. ...and most times, with Haru. He focuses on his food with singular intensity. ]
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So, um. What're you interested in, Haru? Outside of class, I mean.
[ His knees are weak, arms are
spaghettiheavy ... but his mental perseverance won't let him while away this chance to figure out what's been bugging him about Haru this whole time. If he (not-so-subtly) interrogates him under the guise of getting to know him better, he's bound to find the answers he's looking for. ]no subject
Swimming.
[ It's a hobby for Haru now. But swimming puts him closer to water, and that's his entire desire. ]
Do you swim? [ The question slides out, almost immediately. ]
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Oh! Yeah, I mean, I used to when I was younger. If I'm not mistaken, we do have a swim team on this campus ...
[ While Makoto still appears slightly discomfited with the subject, it isn't enough to entirely thwart his curiosity. ]
Do you swim competitively, Haru?
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[ "Haru" again. He takes another bite of his bagel and chews, but this time is looking at Makoto with a considering expression. So... improvement? ]
Backstroke.
[ For some reason, it's what comes to mind when he looks at Makoto. He has no explanation for it, but it doesn't matter if he's wrong. —and yet, he does think it's true. ]
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How did you know? I mean, you strike me as the kind of guy who'd —
[ And while he catches himself mid-sentence, the rest of his assumption tumbles out of his mouth after a five-second delay. ]
... swim freestyle, maybe?
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Yeah. [ How did Makoto know? How did he know, for that matter? ] You seemed like you swam backstroke.
[ Haru takes a long moment to look at his classmate. With other people he'd never thought much about them, but as he looks at Makoto he has faint ideas of his life that he couldn't possibly know. ]
...I don't know how I knew. What about you?
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